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Davlat Safarov - traditional Bukharan style miniature painter


        Asian miniature painting is an ancient art, with its origins in the cultures of Persia and Central Asia, and the Indian sub-continent. Originally used to illustrate classic texts, folk tales and epic poems, it gradually evolved into a unique art-form unto itself, with its own "old masters" and different stylistic schools.

        Unlike European art of the Renaissance and after, Asian miniature made no attempt at realism, perspective or sense of scale. Their stories are told on a flat plane, without concern for light source, anatomy or even human emotion.

        This work is completely narrative in character, telling its tales in symbolic ways through the use of representative or iconic figures rendered in minute detail. Asian miniature paintings are "read" from right to left, as Arabic calligraphy is written, and usually from bottom to top... from the earth and sea to the heavens.

        It requires a different approach to understanding than European art. One must examine each item in the composition very carefully - these symbols were not put there just for decoration. Every element is part of the story, "from the fish in the sea to the moon above". The leaves on a tree may be as important as the fold of a garment of the sword of a conqueror.

        The enjoyment of this work comes in the "reading" of each small gem of art, of learning the tale that it tells, of recognizing the clues that the artist has given you, of fantasizing a bit into an exotic past in a fabled land.

        Masterpieces of Asian miniature painting can be seen in most of the world's great museums, and it is indeed fortunate that this artistic heritage is still with us, that young artists are still learning from the masters, so that we may continue to enjoy this unique art-form.

 


 
davlat@bukhara.net

Studio location: "Artizan's Development Center",
Nakshbandi St., Bukhara, Uzbekistan.

Tel.: (998 65/365) 2243765, 2241721.
(
...outside Uzbekistan / inside Uzbekistan [CIS]

/ no code needed inside Bukhara...
)

Fax: 2242246


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"Bahram Gur in the clue palace"

Bahram Gur, the hero of Nizami's work "Seven Beauties", had seven princesses as wives. He had built palaces of different colors for them. Having the costume of the same color with the palace he went to one of the princess' where he had a feast and heard some tales.

In the miniature on the right Bahram Gur is in the blue palace at Magrib princess. As a rule, miniatures to the tales about Bahram's visits to the seven palaces were painted in the matching color-keys. Here only the palace and the costumes of the main personages are described in blue color. The other details are in various colors and, what gives the character of traditional feasts of the kings to the scenery.


"Polo Game"

One of the most popular themes of Eastern miniature of XXI century was polo - the hockey game played on the grass riding horses. It was known as hobby of high-class people. The tradition of the depiction of polo games is kept till nowadays. The moment of ceasing the ball at the gates is shown on the picture on the right. The light colors of costumes in the pink background of highlands makes a festive spirit.

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The legend of the love Leili and Majnun is one of the books from "Hamsah" by the great Uzbek poet of XV century Alisher Navoi. The content of the tale is as following:

Leiliand Kais had mutual affection since childhood. As soon as the boy had become an adult, he expressed his feelings in verse. However, Leili's father refused to allow them to marry. Kais went to the desert where he resided among beasts. He continued to write passionate verses of his love. Those who surrounded him called him "Majnun" - the mad man. His father took him to Mecca to cure him of his baneful passion. It was of no use all the same. His friend Naufal tried to help Kais, but without success. Leili was married but her husband passed away soon after. Leili also died and news of it killed Majnun.

In the picture on the left you can see Mejnun's father come to Leili's for the match-making.



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Yusuf Entertained at Court before His Marriage to Zulaykha

Zulaykha's attemts to overcome the saintly Yusuf's iron-bound chastity roused her ire and led to his imprisonment, a fate from which he was delivered when he earned the Pharaon's gratitude by interpreting a baffling dream. Before long he encountered Zulaykha, who by now had greatly aged. By miraculous means he restored her youthful beauty and when God ordered him to marry her, he agreed to do so. In this miniature the young saint is being admired and celebrated by the Egyptian Pharaon and his court.


Bibliographical information

Davlat Safarov was born in 1968. In 1989 he entered Bekhzad art school in Tashkent. In 1990 he took up studying the Oriental miniature. His msters and teachers were Khourshid Nazirov, Sodik Koraboyev and Tokhir Boltayev.

In 1992 he entered the art-graphic department of the Bukhara State University and graduated from it in 1997. Currently he is working at the remarking of Bukhara antique miniatures.


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